I’m not going to say this twice (but if I do I’m going to add more birds)

Be sure in your art.
By all means be tapped out, hard up,
on-your-beam-ends poor if you are,
but when you dance,
dance mansions, parks, chestnut trees
with pale pyramid flowers.
Flex an arm: banknotes
flutter from your fingers
like swallows. Mint motion.

Even your journals grant
principalities to princes.
The huge coffered door of your hall
bends and groans with the press
of secretaries and goatherds
clutching spice boxes,
ranch hands with gold watches,
bluebird navies, teak-timbered ships.
Go out to the harbor this morning
and swing your ideas against
their sides. Send them on their way.

Be nervous if you must,
flop-sweat stopped
like a drowned bottle,
but your hands when they draw,
draw water from rock —
white pelicans,
the most self-absorbed things in the sky,
wheel and rest at your feet,
canyons open,
the horizon duplicates itself
infinitely,
dark for the pearls of stars.

Lack faith if you do,
but your voice, when you sing along,
peals from Spanish mission towers,
beams creak with the weight of bells,
dun valleys fill and green,
dwarf pines whistle and whisper.
Keep your head down:
vesper sparrows have made a nest
in your faithless hair.

It has always been that way.
The monks have gathered for Matins
and the abbot is on the stair.
He has your arms and eyes, your hands.
And the old voice —
the one we put together
from sewn leather, trail dust,
sage, salt, wind whipped,
like a prayer —
lifts, hums, moves
the whole goddamn building
from the rafters to the crypt.

Copyright © 2019 Lilibug Publishing.

Hawk Hovering

Above a stretch of buffalo grass
a Rough-legged Hawk sits in the wind.
The snow has blown in west-north-west
but it seems to come straight out of Wyoming,
hard enough that he beats his wings
only now and then,
otherwise suspended,
over a colony of prairie dogs,
over deer mice,
over small skittering birds.

He is used to the weather.
They breed far north, in the arctic,
and this spring in Colorado
with the warmth coming on
and the dormant grass greening,
the dry blowing snow of the high plains
is a perfect comma:
the ground is awake,
the sudden squall has caught prey
in between,
neither low nor about,
neither resting nor vigilant,
and he can wait here,
all day, untired,
head to the wind.

Cecropia Moth

The giant silk moth has no mouth.
He doesn’t eat.
He sleeps most days.
He flies in for a few weeks:
his only purpose is to mate
(and yeah, I knew a guy like that
in college, too),
beating his big-winged beauty
like a paper heart against the doorjamb,
the dried-blood-red of those massive wings,
the eyes inset,
the cracked grin of a voodoo god
painted on,
saying “Stay away!”
in the old tongue:
you wouldn’t want this death.

But for all that,
for his disguise,
his single-minded fasting of a saint,
they get him anyway.

I went inside to grab a tape measure
when I discovered one last Saturday,
but he was gone when I got back —
the scrub-jays on the roof perhaps,
or the Bullock’s oriole.

All they left on the deck
was a wing the size of a toddler’s hand,
thin as a five dollar bill.

I slipped it in my wallet
between my license
and a coffee shop punch card,
knowing there’s a chance
we’ll wake up one morning
in a world where quiet grace
is currency.
I pull it out sometimes,
unspent, and stare,
my eye and his
unseeing voodoo eye.

Herbarium

The Yellowstone Supervolcano,
a giant magma chamber
below a caldera more or less
in the middle of the national park,
if it erupts,
would cover about a third of the U.S.
in a layer of ash, thick enough in parts
that plants would die,
fields become sterile,
the waterways of the Midwest poisoned.

The cold ash and not the hot lava
does the damage.
The Earth would cool,
skies get dark in day,
mass evacuation,
millions starving.

In a worst case it would be
what scientists call
an extinction level event.
But that’s the worst case:
it may never happen in our lifetimes
nor in the lives of our grandchildren.

Still, I crack open
the canvas spine of my herbarium,
position a piece of honeysuckle,
pressed for a month,
and with a thin knife
lift a leaf, run the ball of a finger
across the wires of veins,
across each pistil thread,
infinitely patient, infinitely fragile.

Mother Ann Lee herself survived
New England’s Dark Day.
I suspect the flower has heard
that old saw of hers:
to do all your work
as though you had a thousand years to live
and as you would if you knew
you would die tomorrow.

I May Have Left the Lights On

I may have left the lights on
in the workshop a few years back:
eight racks of glaring bare-bulbed fluorescent lights,
and as a result,
a flock of migrating geese,
navigating the rural dark of northern Colorado,
got confused,
fell out of the sky,
and hit the windshield of a Walmart truck
making a last-minute delivery of Christmas toys,
forcing the driver to swerve
into a ditch right off the frontage road
of the interstate.

He wasn’t badly hurt,
but most of the freight was a write-off
and the store never got the hip-hop penguin
that did the street dance waddle,
so when Karl Macklemore showed up,
who’d left it too late to get the one toy
his daughter wanted
(go to Walmart, his wife said,
everything else’ll be closed),
he found only empty shelves where
Pop & Lock Penguin should have been.

There was an argument when he got home.
Hard things were said,
things you couldn’t take back.
That’s it! I’m outta here, Karl said,
and he really left this time,
left the wife and his little girl Judy.

There were tears,
the worst Christmas morning ever.
But that was just the start:
on one salary, mom working shifts,
Judy missed more than a few days of classes
doing chores.
The school sent letters —
she was getting behind,
so Uncle Craig the engineer,
who lived just over in Galt and was retired,
said, I’ll teach the girl.

They met at Starbucks most afternoons
and did pretty well,
but Judy hated History,
she sneered at Social Studies,
fidgeted through French,
until Craig said okay,
I’m not much good at this stuff anyway.
Why don’t you come on out to the shed back home.
I’ll teach you how to solder.
You’re good at math and algebra.
We’ll kick around some schematic diagrams
and maybe we can work up something
for the county science fair.

She thought about the project for three weeks,
until seeing geese one night passing
in front of the moon —
a dark V and then nothing,
a dark V and then nothing,
she proposed this:
why don’t we wire the solenoid
so that when deer mice all over the world
breathe out
the change in air pressure
registers on this sensor here,
releasing the core,
and when barn owls move their eyes in sleep,
when prairie dogs jump and stretch,
all that vibration shakes the earth enough
that it trips the switch
and cycles the lights
on and off automatically.

And Uncle Craig thought for a moment
and said, that’s impossible.
Unless you calibrate the coil to account
for the minute shift in the geomagnetic field
when black bears dig at roots,
and then you know,
it just might work.

The day my nephew got back from the science fair,
a little depressed,
we asked him how it went.
He said, Okay I guess.
I didn’t win a prize.
It was that Judy with the green eyes,
inventor of the sudoSwitch.
We said, Who’s she?

He said:
She’s bat’s darling,
cousin of the winter wheat,
Spear of Science, Javelin Judy
with the jade-green eyes,
She-Who-Harvests-Stars,
called Watcher-of-Geese,
the moon’s electrician,
house god of the deer mouse,
the one who dances on the back
of ignorance
making the sign of the sigh.
Judy, whose name rhymes
with the taste of golden currants,
the last word on the lips
of den-bound foxes
when they say fox prayers,
whose name is the only password
in the wind-stroked shortgrass prairie;
hop-hipped hare hunter,
greyhound bitch,
inventor of the sudoSwitch.

No, I said, I would have remembered her.
So this sudoSwitch, what’s it do?

I dunno exactly, he mumbled.
They say it replaces want and fear.
It saves twenty-four megawatts of shame
each year,
makes colorful truths from white lies,
smooths crow’s feet,
corrects the camber of the wheel of the law,
autotunes the music of the spheres,
raises testosterone,
lowers the bridge of understanding between generations,
generates income, deflects
incoming insults, erects
lasting love
(but consult with a doctor
for an erection lasting more than four millennia),
deflowers virgin olive oil,
magnifies fine print, prints currency,
interrupts alternating current,
gives the sightless sight,
makes the indirect direct,
talks in pigeon-elf to elves,
and turns lights off by themselves
when you leave them on at night.

I laughed.
Good luck with that.
That’s not a problem for me, I said.

I Wake up to the Breathing of Bears

and one in particular,
her nose against my cheek,
as wet and deeply brown as earth,
and too far down for me to see.
She introduces me
to the warmth and nacre of her mouth,
to salmonberries and bugs,
the fallen flesh of the forest,
nurse logs in the undergrowth,
to the yellow avalanche lily.

I wake to the breathing of a bear,
kind and close,
snuffling and dripping
from the tender tunnels of her own body.
She measures me between pads as big as plates,
her own five-pointed ivory flowers,
the better to picture
my eyes and sockets,
the stripped skin of the skull.

And it is always like that:
the world, when it wakes me,
because it so loves me raw,
unwrapped of lists of things to do,
the coffee cups / the smell of fear
and productivity.

That is
the way it is
when the world wakes me up,
inflated by sleep:
it is the liminal tooth
that pops and punctures me.

Returning After Evacuating From a Wildfire, June 2012

The clothes go back in the closet
and the cats come home
and they speak to each other,
each to the other.

The plume still rises
on the western edge
in the one hundred and four degree heat,
and the firefighters on the line,
they speak to each other
in their shorthand speech.

The thank-you signs are out
and the kids approach
with their piggy banks.
On the news at nine we take the toll
and speak to each other, each to each.

But there’s one thing
that doesn’t go away, one thing
that doesn’t curl in the heat:
when the sun wasn’t yet
a red ball in the smoke,
when we got the call
and we spoke to each other,
you and me, and took the photograph
and not the clock
and took the brooch
and not your letters in a box
tied sometime in our third
(or was it the fourth?) year
when we were younger, proud,
full of piss and vinegar:
pride enough to slay
a world of dragons,
nest or night awake,
but not this.

The smoke rose, the letters lay
like wounded partisans
whispering to each other.
Each to the other.

Valedictory

They say the Fern Lake fire is still burning
up around Estes Park.
It started in October in dry brush, open flame,
and then the snows of the eastern Rockies came,
but it still burns on below, Inuk fire,
too remote for hotshot crews,
and anyway it is April now —
who fights fires in early spring?

The last front dropped fourteen inches in the garden
around the new birdbath,
but memory being what it is,
full of non sequiturs
and awkward prompts that pull thoughts
where they wouldn’t choose to go,
I can’t see the birdbath, its blue supplicant bowl
piled up like a wedding cake with snow
and not see Berkeley evenings.

There was a lime tree in the back
wasn’t there?
on Dwight Way or Parker Street,
tart-green on the tongue, bittersweet —
and spaghetti dinners, a honey-skinned guitar.

But here in the foothills,
far below Fern Lake,
almost three decades gone,
I’ll wrap the snow in my arms
where it has piled up on the birdbath,
where the snow has bent
the branches of the sour cherry,
bring it melting to the kitchen,
say
so it came,
and so we came and went.

Articulate

I speak the way I write,
but more slowly,
sorting and disposing of
five different ways
of saying something,
while my companion,
who really
only wanted a brief chat,
ages.
He grows hair in places where
there shouldn’t be any,
where before he was bald.

And meanwhile,
the tectonic plates
of the Colorado Plateau
adjust,
dinosaur bones surface,
sea turtles and bristlecone pines
complete entire life cycles.

“How should I put this?” I say,
when a city or two has fallen
into the ocean swell.
My friend is sallow now,
his skin cool, unresponsive.

“It’s coming,” I assure him.
“Too late…too late for me,” he replies.
“Is there anything
you want me to pass along?”
I finally say.
But he is quiet,
eyes staring, mouth dry.

Sand Lily

If you look for them
in the pioneer cemetery
you see only the headstones
standing up in the dry grass,
like erasers,
worn on one side by the wind.

You don’t see them
until you are right on top:
in a tuft of grass,
a star of wax petals,
closer to the ground
than voles and unread diaries.

(Bingham Hill, like Hillsboro,
like Antioch and the rest,
is the earth’s own step-daughter.
The child in the ground
they carried on the Overland Trail,
although she was too sick to move.

When they got stuck in the mud,
near Laramie, Anna said
she could hear her sister coughing,
and then she was gone.
On Bingham Hill you still
have to walk on the dry
edge of the ditch.)

They bloom in spring
and early summer and then they sleep.
Their roots grow down in strings
among the dead.
Our memories have always been in sand:
on microchips and Bingham Hill.

When he took his son to the hospital
they said it was a cold.
The symptoms were so much like it.
He stayed up by the bed anyway,
and then the boy’s heart gave out
as the sky got white on the eastern plains.

It was still winter.
The sand lilies were sleeping.