Prayer to Survive the Glacier

In the little alpine chapel in Fiesch,
for more than three hundred years,
the villagers prayed for the ice to stop.
They were farmers mostly. Catholic.
Placid and philosophical at work,
fixtures, like wax or oak,
or pulpits polished by grace —
and sure,
as German hands.

Glacier is ice, they sang. Ice is water, water is life.

But it was death, too, they knew,
swallowing pastures,
dropping immense sheets like buttresses
into the lake above,
flooding the valley.

Friends died, the baker and the blacksmith.

They buried the dead, rebuilt, sang hymns,
looked up at the spectral spirit
come down to earth, yawning and stretching,
pregnant, rudely aping
the Visitation of Mary,
for whom they had named
the little chapel in the pines.

And it worked.

Their anxious voices rose up,
hundreds huddled in procession,
children grew old, falling asleep
with the words of the liturgy
in their heads.

The ice shrank, ten meters or more a year.

So they changed the prayer.
Now they pray for the glacier to survive.
And Mary,
when the little chapel was dark
and the crowd had dispersed,
sat amazed, sighing and amazed,
at how little they knew
about power.

National Bison Range, Moiese, Montana

Silt-brown and yellow, yellow and brown
the grass urine-yellow
rising into mismatched haunches, and there,
mud stained with sweat, musk, blood:
a brown inimical to
the sweet-pea blue of the sky,
the clover crushed underfoot
and feathered with dust.

The bison gather in knots
on the rolling grassland,
their heads blocked by the air.
In those scattered threes or twos
undeniably, some memory of the
rippling plain of bone and hair,
and in the siege hammer heads
that great Picasso eye,
staring like a shark,
determined, drowning.

They have hidden outrage well
or perhaps they have lost it,
or perhaps outrage is a human thing.

On 70th Street — eight forty-six,
a February day.
The cars queue shoulder to shoulder
at the intersection,
their thunder rolling up
from the Oak Street Bridge
where they ford the Fraser.

Listen! Just like we did as kids,
putting our heads to the sidewalk
and the singing lamppost.
Listen to the inhumation of sound
from the silver metal sea.
How bright they are! How solitary,
the drivers, their eyes staring,
grimly and gladly staring
drowning, determined.

They have hidden outrage well
or perhaps they have lost it,
or perhaps outrage is a human thing.

Ambition

I am haunted by the failures of great people:
how, inevitably, they were tossed out of Harvard,
eviscerated in newsprint,
cold-shouldered by forgotten matriarchs,

and I have to think
(you know where I’m going with this)
short of a criminal act,
how could I compete with the sad sack
who was Abraham Lincoln
before he was Abraham Lincoln,
the tubercular Eugene O’Neill,
the idiot Einstein,
the rejected Malcolm Lowry,
the incandescent torn and lovelorn
and thirsty,

except by standing on point
in front of our two sleeping
ginger tabbies
with a scallopshell lampshade for a hat,
wrapped in a pale blue polyester brocade,
and think
(keep it quiet, cats are sleeping)
could they do this?

How to Address a Black Iris (Villanelle)

Even perfect eggs are made to crack,
and morning breaks so morning light gets in.
It’s true, I’ll leave, but every spring come back.

Wizards wear white beards, though yours is purple-black.
Root-bound passenger, let’s let our world spin.
Even a perfect egg is meant to crack.

Midges bite, leaves crimp, coiled cancers attack.
Heart-strung, you never sicken, never thin.
I leave, it’s true, but never turn my back.

Fires burn, pine bark beetles leave their tracks
on trees, but never touch your seagreen skin.
Even perfect eggs — aren’t they meant to crack?

We dress, clothes horses, chests full, rack on rack,
while you fix petals with a single pin.
It’s true, I leave, but never turn my back.

Stalk-bent, dead-headed, stem and flower slack,
did you tease, die, or tell me with a grin
that even perfect eggs were made to crack:
“I leave, it’s true, but every spring come back.”

New Skin on the Old Face

If I knew, I had forgotten
until something small shook me into doubt.
If I knew it once, it had been shuttered,
before the sun came up, by the sound
of the yellow school bus in the street,
or the diesel engine of the fireman
pulling himself heavily into the forest,
the black-gray shapes of neighbors
off to work, and then,
by steam rising in the pre-dawn cold
from the coal-fired power plant
on the north horizon,
by the lights going out in town
and the coffee shops opening up,
by phones ringing, and the winking glow
of computers on hard vinyl tabletops.

If I knew, I had forgotten
until the Steller’s Jay, chattering in the black pine
like a parent shaking me from sleep,
black-headed like the blueing sky,
and then, the river in the cold undying grass,
the rock, turning to speak out
and not into the earth, for me,
the gray-black shale
slowing long enough for me
and speaking loud enough,
in the reeds and wreath of cottonwoods,
how some important thing
was going on beneath.

Narcissus pseudonarcissus

Bell narcissus, bobbing on the swell of wind
that licks up the foothills, trumpets filled,
gulping lungfuls of the upslope morning.
Springing mute-lipped, one March day bowed with snow,
the next, by their deep pneumatic will, upright,
flexing, boxing air.

Still, unstill cornets who neither sing nor stop.
Soundless, December’s cellared children,
together tethered to unspeaking kin,
hand on mouth should someone hear, speaking
only through their skin.

What we know of yellow is extracted,
emetic, from their frayed and furrowed flutes.
Use this caustic color with care, she warns:
Spring brings out its fighters first, those with a thirst
for struggle. Picture tinctured spirit, too strong
for pretty idling.

Copyright © 2019 Lilibug Publishing.

Making Garden Gryphons (Ghazal)

They’re never as practical as you will have thought:
Sphinx moths with a real girl’s face? but at least you’ve thought.

The best invent themselves: perhaps a fox hair brush?
Too slow to beat the hawk, too bright — well, we might’ve thought.

Contrived creatures, and never as we’re taught, “nature”:
we will have felt “dragon” but never thought the thought.

A winged lizard — impossible! Do caves give birth?
Unless…combining fear and earth, evil, half-thought…

Beauty never makes a beast, though beauty kills it dead.
Just think with hormones, not with bioactive thought.

A perfect petri dish: some sleep, cold stew, some wine.
Remembering embarrassments she will have thought.

Ta-da! How’s this? A stag’s body, a cat head couched,
its one eye white as pearl, part blind — full blind to thought.

When, like your narcissus, I go to sleep

When she was young
she would sit, singing birdsong trills
and madrigals in her ptarmigan throat.

We were green flesh.
Our thoughts ran together, acid and restless,
and she sang when she was nineteen,
on a California rail,
her voice in the Big Sur fog.

I built her a wedding bed
from pine and mountain hemlock.
We sleep between our whittled angels.

But she no longer sings.
In our wedding bed
her eyes weep diamonds
pressed by the moon
from some ancient pain,
from a cavernous pain.

When I enter her
she oils the sheets,
resinous as a Lebanese tree.

She rests her eyes
from their inlaying
on my arm, her walnut eyes.
There is no wealth
that does not come
from the body of my lover.

Rising for work,
with a handful of gems,
we sweep away the bloodstones
of her grieving.

Tent

I hauled from home
a square of blue cloth
to cover me in the wilderness.

Mosquitoes found me anyway.
Someone had said,
Look for the square of blue cloth.

I hunched deep in my mummy bag,
cave deep,
and then the moon exploded phosphorus
on the cirque meadow.
A hundred million galaxies held their breath.

Over there, the moon said.
Under the blue cloth.

His blood still courses.
He is still warm.
He still pretends
he isn’t
one of us.