Fetching Lili’s Ashes

A bill from the urgent care center
in Mesa, Arizona,
is addressed to Lisa Steinhoff,
whoever she was:
no one called Steinhoff lives
on Painted Rock Trail today.
I lean over the console of the truck,
write “Not at this address!”,
and slip it in the outgoing mail.

Ten days ago Saturday
we put our Russian Blue down,
after midnight, bundling her crate
into the Subaru for the long drive,
to the only open vet, far out of town.
I sweet-talked her, our little girl
(though in people years
she was sixty-four, or sixty-five).

But repeating the sad drive again,
leaving the clinic again,
this time in full sun June
I carry the box with her ashes
to the car, gently, like a newborn,
cradling the deep blue bag,
the ribboned sleeve from the crematorium.

I half expected to lift the lid
for her last lesson of dust,
but the box is fastened shut:
Spanish cedar, corners rounded,
joints seamless, sweetly smelling
in the unseasonable heat.

And on the forty-mile route back north
despite myself, knowing she is not her body,
not at this address,
I talk to the cedar box,
warm in the cab of the truck
warm as her head was in the moment before,
her ears then, like old carpet,
ragged with age.

Wyoming Border, Bison

I drive late, going north,
winds so strong out of the foothills
you’ll see eighteen-wheelers
tossed on their sides in the median.
One or two at least, before we make the border,
snow bleaching the Front Range.

The very dead of winter now,
like the chaplain said.

Where our headlights empty,
the stations of my commute drift by:
Carr, Owl Canyon, Buckeye Road,
and the electric shock of the great plains:
they train astronauts in Wyoming,
folks who feel at ease in our cold, cold spaces.

On a high ridge, before the Welcome sign,
a rancher has erected the silhouette of a bison,
knocked together with two-by-fours,
blank, branding even the grass.
And below it, the real animals move
like shades in the underworld,
dozens of them, shrugging off the squall
that’s closed the highway from Casper to Wheatland,
closed the 80 west, all the way to Rawlins.

We’ve brought them back, the bison,
to say goodbye.

My hands itch to touch the coarse mat of their hair,
to finger the frost-crust on the crown
of their siegehammer heads,
the ears that may
have finally stopped listening
to everything we loved, to everything we feared,
to everything we said.

Camera

Every morning, as I go out,
I catch sight of my Nikon
on the hallway dresser
where I have deliberately left it,
charged with promise,
the magic lantern of schoolkids’ stories —
knowing that if I don’t take it
I’m sure to see something astonishing
and only have these dubious words.

I am always right:
the cones of the blue spruce
in the late winter light
drape on the top branches
like streetseller wares, plumbed fruit
hanging from his shoulders.
Or along the base
of our eastern slope,
where stubborn white pelts of snow
depress the prairie grass,
the veins of deer tracks
trickle out and finger.

I take the camera, then,
convinced that I have made
the whole world suddenly dull.
And I am always right:
what I saw in the spruce
I couldn’t tell you,
the tired interminable drupe of the bough /
not at all like vulture wings,
or the ratcatcher swinging
from a shoulder yoke, by their tails,
this late winter catch of cone.
How the deer are gone again,
and left us the mundane definition
of their feet, more loss
than lotuses.